29.3.2021

Digital Wondering 08

Die Digital Wonderings sind eine Reihe von Online-Diskursen rund um das kuratorische Thema TRUST. Sie können jede Form annehmen: von einem Gespräch, über ein kurzes Statement oder einen Film, bis hin zu einer fotografischen Serie. Die von Susan Bright und Nina Strand eingeladenen Mitwirkenden kommen aus den unterschiedlichsten Disziplinen und können nach Belieben auf das Thema und das Format antworten und reagieren. Die Beiträge erscheinen zunächst im englischen Original.

Trust and collaboration

This conversation between Anthony Luvera and Susan Bright considers trust in relation to collaborative and participatory projects. Working with different communities Luvera talks about how he is influenced by strategies from the fields of anthropology and theatre and how he draws on these for his own socially engaged practice. Additionally he considers the expression ‘charismatic agency’ – a concept coined by Claire Doherty and Paul O’Neill – in terms of participatory methodologies in art and community photography.

Biography

Anthony Luvera is an Australian artist, writer and educator based in London. His photographic work has been exhibited widely in galleries, public spaces and festivals, including Tate Liverpool, The Gallery at Foyles, the British Museum, London Underground’s Art on the Underground, National Portrait Gallery London, Belfast Exposed Photography, Australian Centre for Photography, PhotoIreland, Malmö Fotobiennal, Goa International Photography Festival, and Les Rencontres D’Arles Photographie. His writing appears regularly in a wide range of publications including Photoworks, Source and Photographies. Anthony is Associate Professor of Photography in the Centre for Arts, Memory and Communities at Coventry University, and editor of ‘Photography For Whom?’, a periodical about socially engaged photography. Anthony is Chair of the Education Committee at the Royal Photographic Society. He has designed education and mentorship programmes, facilitated workshops, and given lectures for the public education departments of National Portrait Gallery, Tate, Magnum, Royal Academy of Arts, The Photographers’ Gallery, Photofusion, Barbican Art Gallery, and community photography projects across the UK.

Journal